The dust we kick up isn’t ours. It belongs
to the City, who cut out the diamond
and put in floodlights last fall. We saw it
then driving home on icy salted roads
when it got dark early, artificially lit
and snow-covered. It looked like a bone
coyotes dig up. I imagine Marcus there
with his father, leading calves.
I imagine their tracks. Now this infield,
as fine and bare as meal, covers everything.
It’s on the Dixie cups. It’s in the water.
It’s the grit left on your tongue.
Old mooring line or improvised ladder
Unknotted. Any sort of rope will do.
I brought some hand-plaited cotton
Marcus’s father used to lay down
this mare he was breaking once.
He hobbled her thin ankle, winching it
around her withers. Then he pulled,
tucking her leg to her chest and circling
with the patience of rust, taking slack
until her other leg couldn’t bear her
like that any longer. It’s hard to watch
a horse get its grace taken away.
I can hear her surrenderous whimpers
in every braid, splicing my neighbor’s line
with mine to make it long enough.
You leave a man with the most weight
in back. He’s a living anchor, a fact
about Marcus’s father. What I don’t know
is why he kept coming here, his hands
split and clutching the end of the rope,
wrangling eight men as he did a steer
or would, if he could, if he still had one
to his name. How quickly dust—a sponge
of jeweled guts, insecticide and puddled
blue starlight—can be leeched
of its bloodlines. Overnight, for sale signs
popped up next to the white cedars
and in bars you heard people shutting up
about the deer in Marcus’s father’s
woods, as if the apostrophes left
their throat in threads of cigarette smoke,
then each letter unspun and dissipated
like strength from a taxed muscle.
His car must’ve run a while idling high
when Marcus found it overheated,
the cracked block smoldering anti-freeze.
Its mustiness a vaguely sweet odor
like pond water that never comes off.
The coroner says he slept, he felt nothing.
The police says nothing. They’re sideless
as the moon, who says nothing. I hear
the sayings about bad apples
and bygones, about letting well enough
alone. As we crowded his driveway
huddling together for warmth, I saw him
Eric Greenwell grew up on the Mississippi River. Recipient of Writing in the Wild and Centrum Writers’ Conference fellowships, he is the 2016 PEN/Margery Davis Boyden Wilderness Writing Resident. His work has appeared in Willow Springs, Lake Effect, Sugar Mule, and is forthcoming in Boston Review.